The Coward Hole

Photo by Linda Hewell

This is probably not what you are expected based upon the title. I am talking about the hole left behind after playing Otto in Noel Coward’s Design for Living earlier this month. The hole left by Coward and his play.

It was an amazing experience. Possibly my most favourite production to have worked on to date, and for many various reasons, so let’s get the vain ones out of the way first…

It was one of, if not the best performance I have given on-stage so far. It wasn’t flawless, but there were many moments where I was able to save myself, and others, and keep the show moving. It was the joy of playing a character who pushed my personal boundaries further than they have been pushed before, and I enjoyed it immensely.

I also think I looked pretty damn good with my shorter than usual hair, and it has made me admit something that many others have been telling me for a long time; I look younger and better with shorter hair… bring on the hair-dresser.

Photo by Linda Hewell

Aside from the person satisfaction and ego boost, there was the sense of professionalism and talent with my co-stars. What an awesome bunch. Everyone took their roles seriously, even the smaller one-scene-only appearances, making for some wonderful moments of dialogue.

Then there was the extra effort required of the lead who basically was the back-bone of the whole show with her massive performance, including dramatic highs and lows, amorous moments with three different men, including me (that would have been a unique challenge I’m sure) and she made it so easy for me at least. What a delight to work with someone so incredibly talented and professional.

Photo by Linda Hewell

And then there was my co-star, playing the other male interest in the triangular love affair at the centre of the play. That he was willing to perform opposite me, a heterosexual male, feigning a loving affection, culminating in a crowd pleasing snog at the end is testament to his open mindedness and skill as an actor.

This production has left a lasting impression on me, stronger than I have ever felt before. I am extremely fortunate that the director spoke to me after a night of Closer, asking me to audition for this fine show. I admired Noel Coward before, but now, there is an artistic love affair brewing with the writings of this legend.

I am mentally preparing for the next role I hope to play…

Photo by Linda Hewell

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